YES! This is exactly it!
Julie: I’m worried about her youth obsession.
Natasha: Continue. Cuz this is my main complaint with her.
Julie: Well, her insistence on maintaining an exhaustingly current entourage, instead of changing/evolving/ageing, she just switches up the collaborators so they’re current. That’s depressing.
Natasha: I think she’s out-grown trying to be sexually provocative and sexily antagonistic a la Express Yourself, but now she is lost.
Julie: Well, she wants to be SEXY.
Natasha: Remember her Frozen phase?
Julie: I loved that. I loved Ray of Light. I loved loved Music. Confessions on a Dance Floor is her last GREAT album. I’m just worried about her mosquito in amber ambitions. The skin thing, her hair getting longer. She’s only wearing black, She only lets them shoot her from across the stadium.
Natasha: What would Madonna doing Madonna actually look like now? Without the youthful accessories and shackle shoes?
Julie: I want her to be like Anjelica Huston. But she wants to be a girl, not just a woman.
—from The Awl….awesome chat about Madge’s halftime perf.
This is exactly how I was feeling while watching Madonna last night. It was a mixed bag.
On the one hand, I was grateful that it was a well-thought-out, well-executed, well-rehearsed performance. Call me an old fogey, but that’s always been my one complaint about shows like these…they’re usually all bells and whistles and not much thought or cohesion. It’s almost always a medley of songs and, to me, anyway, it usually seems pretty frenetic and not very well-rehearsed. You know Madge was NOT having that. Her shit is ALWAYS tight and well done. So I appreciated it on that level. I didn’t even mind the medley — it was a good example of a non-medley sounding medley.
On the other hand, I thought M was a little…well….awkward. Stunted. Weird. And dude, those heels. Don’t dance in those! No! Those are just asking for a slip and fall or for you to be horribly, well, awkward, in trying to prevent the slip and fall.
And then there was the point of the conversation above. At first I couldn’t put my finger on what was bothering me about her and I was blaming the shoes (easy target)…and then it hit me. Woman is 53 years old, dancing besides 20 year olds. The little dance break she did with LMFAO was cute because that was like, oh, look at the cute old lady in amazing shape keep up with the young dorks who write cheesy party hits! But the rest was weird. Her dancing alongside Nikki Minaj and MIA? You’re 53, woman! Put Nikki Minaj and MIA next to you, doing the same dance moves, and…no matter how in shape you are…they will always look better doing the kind of dancing and writhing they were doing. Because it’s what 20-30 year olds do (how old is MIA?).
Now, this is not to say that Madge can’t be sexy at 53 years old. She absolutely can be. Hello Tina Turner, Anjelika Huston, Helen Mirren, Jane Fonda….etc.etc.. But sexiness comes with owning your age and who you are as a person. And we’ve all seen who Madonna’s become outside of performing. The faux-British accent, the haughtiness, the smugness. It doesn’t fit with the fun-loving sexy girl she’s trying to still be. She’s no longer Madonna in the Lucky Star video. She’s not even Music Madonna (my favorite Madonna era EVER). I don’t know what this Madonna is. I don’t think she does either. She’s just trying to stay relevant, I guess.
It’s the trying that was awkward. She’s not the Madonna we all grew up with and know and love. She’s not even looking at us. She’s got her plastic-surgified eyes on the younger prize.
Oh yeah, and the world peace thing was laaaaaaaaaaaame.
But you know…just sayin’.